Ainsley Scavenger
If there's trouble in Treehollow, you can be sure Ainsley is worrying about it. The pine marten-weasel scavenger has a predisposition for anxiety and a predilection for scary stories. They try not to let their imagination get away from them, but life on the outside is scary, and they often struggle to connect with those around them when it's so much easier to stay at home with a cup of tea, a good book, and your own safe, predictable company. For all their superstitions and fears, however, Ainsley is a deeply thoughtful and curious creature at heart, and this fascination for the world led them to develop a close friendship with Oakewood. They bicker together about the scientific validity of Ainsley's far-fetched claims during their frequent chess matches, but the two's butting heads conceals a close friendship.
Ainsley is a creature of strong emotions and, perhaps, a stronger heart than they give themselves credit for. With the right encouragement and support, they might even stand a chance of leaving their isolation behind and finding their place in a scary but beautiful world.
Species
Hybrid: Pine Marten and Weasel
Gender
Agender
Birthday
September 2
Occupation
Scavenger
Family
Molly (mother), Ginger (sibling)
Links
Tales from Treehollow Appearances:†
†Tales from Treehollow are canon short stories and comics illustrated by guest artists.Trivia About Ainsley Scavenger
- Ainsley practices a nature religion not unlike our modern-day Wicca.
- Ainsley is agender, and prefers 'they/them' pronouns. This means that they don't perceive themselves as having a gender.
- Unlike the cultural norms of Silver Sage, Ainsley does not feel comfortable unclothed.
Ages Throughout the Comic
Page | Age | Human Years 1 |
---|---|---|
The Great Outbreak | 18 | 23 |
Belfry is Adopted | 19 | 24 |
Old Council Overturned | 22 | 28 |
Chapter 1 Start | 37 | 46 |
Chapter 3 Start | 38 | 48 |
Chapter 4 Start | 39 | 49 |
1 Creatures mature at a faster rate than humans. Their 'human age' is their equivalent maturity in human years. |